D.W. Griffith liked filming women trapped in ambushed cabins, alongside men who see only one option left to help her,
only to be stopped when armed reinforcements arrived. You can also see it The Birth of a Nation (1915), where the trapped southern belle just misses having her father bash her head in with a pistol butt.
John Ford apparently played an uncredited Klansman in that movie. 14 years later, he'd film Stagecoach:
|Image Source: blu-ray.com|
where we get the same situation and interventionist outcome, with the uncomfortable solidification of the "men know what's best for the women folk" dynamic intact. Homage to Griffith, reuse of a suspense-raising trope, or both?